Pinback Autumn Of The Seraphs Rar
Code: awesome collection of b-sides and rarities from 'feel good lost' and 'you forgot it in people'. Backyards has got emily haines on vocals and is just awesome, and the alternate version of lovers spit with feist is a total masterpiece.i was going to get feel good lost up tonight, and the 'broken social scene present.kevin drew' with 'spirit if.' Because thats basically awesome.
I'll put 'em on upload tonight and stick them on here tomorrow sometime. Quote Modern life is no picnic, and life on the road for a young band is oftentimes frustrating, tiring, and tiresome, brightened only by the occasional moments of glory and glee. So after a year of uninterrupted touring, it's no wonder that the Lawrence Arms felt little more than Apathy and Exhaustion. And why Fat Wreck Chords immediately signed the band and sent it straight into the studio, for Fat head Fat Mike has enough road experience to know that a band on the edge is sure to knock out a record of raw emotion and edgy exuberance bordering on total nihilism. Beyond the band's revved-up emotional state and got-my-second-wind exhilaration, the trio has another winning card up its sleeve - two lead singers. Gruff bassist Clarence Darrow (aka Brendan), all raspy, too-many-cigs-and-shots gravel tones, handles the more frenetic songs, while guitarist Lehigh Acres (aka Chris) takes on the more introspective numbers, a pool of angst, vulnerability, and startled disbelief at the small cruelties the world offers up. Between them, the group covers all the emotional bases, and musical ones to boot.
Crisp, clean, melodic punk that runs from punchy celebrations to moodier, steamy songs of sweet beauty. I would download where you been if it was up, but i got you're living all over me the last time it was up. And where do i need to start to get into them? What is this great thing about dinosaur jr that i just need to hear that will make me love them?also many thanks for the pinback. All i had was their new one, i think its called autumn of the seraphs. I could tell by the cover and was reassured by the one or two songs i heard it was shitty. But so far this is good.
Thank you.also since there is so much sea and cake going up here is what i have that has not been upped: glass (ep), the biz, the fawn, and one bedroom. I do not believe they have been upped. If you want them let me know. Also, if anyone likes the sea and cake and has not listened to tortoise you should. I think ill up a good album. And if you want a tortoise album theres a chance ive got it so let me know for that too. Quote Revered for their ineffably clean, precise playing, Tortoise couldn't help but mess with the formula slightly on their fourth album, Standards.
And from the beginning of the first track it sounds like a major overhaul, with heavily over-miced drums and distorted guitars framing a pummeling groove from bassist Doug McCombs. On the second track 'Eros,' the phlegmatic synthesizer lines and clipped drums are more reminiscent of experimental electronica outfit Mouse on Mars than any fellow post-rock luminaries. When the band finally hits its stride, though, midway through the third track, 'Benway,' it's with a quintessential Tortoise groove, driven by repetitive bass figures and a vibraphone melody (plus a hilarious nod to prog-rock at the end, with several seconds of stop-start playing). Standards does return the group to the green fields of their last record, but only occasionally; John McEntire and company appear too restless to consider making the same album twice. Ironically, despite the range of sounds, Tortoise is still doing what they've been doing for nearly a decade: playing some of the most empathic, group-minded rock of their era, then indulging in much recomposition courtesy of the mixing desk and various effects. 'Monica' is one of the least Tortoise-sounding tracks the group has ever recorded; it sounds like an early-'80s pop/R&B track (complete with talkbox guitar) filtered through the lens of British IDM, but then mutates into an intriguing stereo-separation drum workout.
Overall, Standards has a few detours for fans conscious of any band's 'progression,' but plenty of interesting songs and great musicianship for less vested listeners. Though it doesn't develop the evocative or impressionistic side of Tortoise (as heard on TNT), the band is certainly as inventive as ever. I uploaded this one for a friend, and while I've got the link I might as well post it here. An excellent metal album. Its kind of atmospheric, kind of brutal, I guess its not very easy to describe except that it sounds like an album Devin Townsend would make. I imagine anyone who digs on this kind of shit already knows about this album but in case you don't, or you just don't have it, here it is.
I don't think its his best personally, and if you like this I highly suggest you check out Infinity, which I will probably upload later, or any Strapping Young Lad. Once my internet data thingy has been reset I might just do a Devvy solo albums discography, maybe even a SYL one later.Devin Townsend - Ocean Machine/Biomech. Sons of Kyuss - Sons of KyussI think it's missing the last track 'Katzenjammer,' but that's one of the tracks that ended up on 'Wretch' anyway (and it's not really one of the stronger songs on that album either). Anyway, here's one of the holy grails of heavy music. The very first Kyuss recording. Josh Homme was 17 when this was released. It's a pretty righteous slab of heavy rock.
Not quite as groundbreaking as the band was at its peak, but still a pretty fantastic album. Actual copies of this album will probably fetch three figures on Ebay, so don't expect to actually buy it anywhere. Quote from: Important Records Sun is the coupling of sound artist OREN AMBARCHI and musician-producer CHRIS TOWNEND. The pair have been kindred spirits for many years, with Townend being a sensitive and crucial ear in engineering Ambarchi's landmark solo recordings. It was their shared love for expansive pop that led them to their first musical collaboration together as Sun, released on Staubgold in 2003.
Pinback Autumn Of The Seraphs Rar Files
The self-titled debut was a laidback delight of many melodic charms and artful creation, as sweet as it was wry in its lyricism. Those trademarks continue with 'I'll Be The Same', though the songs here are more freewheeling pleasures where an unaffected sense of experimentalism breezes in. Inlander talking about posting some jazz later reminded me that I have some old jazz myself. I figured I'd post a few albums here and ask - how would you all like, which is all the stuff Coltrane recorded during his 1959-61 stay at Atlantic and it's got lots of false starts and alternate takes. I also have which spans 1961-65, and has a few alternate takes and first versions but is mostly the release versions. I ask if people want because there are 7 and 8 CDs respectively and I don't want to upload all that if no one wants it.
Pinback Autumn Of The Seraphs Rar Cover
I suspect that won't be an issue but hey, no harm in asking.Here's the stuff I've already done.Ella Fitzgerald and Louis Armstrong - Ella and Louis Sing GershwinElla Fitzgerald with Joe Pass - Speak LoveThelonious Monk with John Coltrane - At Carnegie HallAnd some non-jazzQueen Adreena - The Butcher and the Butterfly.